Artwork

1897

29518.O

Library Company of Philadelphia

Original Record

Black and white illustration mostly consisting of people. In the center are two Black men. They are in casual, worn clothes, are barefoot, and have chains around their ankles. Their hands are behind their back. The man on the left is looking off to the side while the one on the right has his head down. Next to them on the right is a military officer in uniform with a sword. He is standing tall, a look of determination on his face. Next to him are a crowd of people in normal clothes for the period. Two children are watching the scene. One man is leaning forward. His fist is outstretched towards the middle crowd. Others are behind them looking towards the men and officers. In the middle of the picture are a large group of officers in uniform. They are marching in line. On the left side are more people watching the scene. Directly in front of them are officers holding them back. Two additional men stand with the Black men in chains. Their clothes are of a high quality and they seem to be paying attention to the crowd of citizens off to the side. They are marching down a street. The picture is labeled the runaway slaves, Anthony Burns and Thomas Sims, returned to slavery. Their march through the streets of Boston. A subtitle reads: with pinioned arms and manacled feet they marched between files of soldiers to a steamer bound for South Carolina from whence they had fled. Vast throngs of men and women watched the procession, many weeping as they gazed.

An artist's rendition of Anthony Burns and Thomas Sims, both forced to return to slavery under the Fugitive Slave Act of 1850. However, this image is not based on a true event, as Burns and Sims were not arrested nor sent to the South at the same time. Sims was arrested in 1851, while Burns was captured 3 years later. It more so represents the people the Fugitive Slave Act affected and the response it garnered. 1897.

Under the Fugitive Slave Act of 1850, local authorities were authorized to act as federal marshals and arrest Black men and women. They would stand trial to determine their status as a slave and, if found to be a “runaway,” would be sent to the South into slavery, whether they were free or not. Southern slave catchers also came North to seek a client’s supposed “runaway slave.” Thomas Sims and Anthony Burns were arrested in 1851 and 1854 respectively. In both cases, the court ruled that they were indeed runaway slaves and ordered them to be returned to enslavement. No attempts were made to forcibly free Sims, which disappointed many Boston abolitionists. This lack of action led to a violent reaction when Burns was arrested, as a riot broke out to attempt to free him. The artist here took clear artistic liberty, as Burns and Sims were not arrested at the same time and likely never crossed paths.

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