Artwork

1855

PGA – Andrews–Anthony Burns (B size

Library of Congress Prints and Photographs

Original Record

A series of illustrations on yellowed paper. In the center is a black and white portrait of a Black man in a well-made suit. His expression has a slight small and seems to be content. Under the portrait is his signature in cursive, which reads Anthony Burns. 8 smaller illustrations surround the portrait. At the top in the center is Burns again, this time is worn, torn apart clothing. His face is turned away, his feet are barem and his is sitting next to a pile of bags. The caption reads the escape on shipboard. At the top left is Burns in more casual clothing, pants, a baggy shirt, and a coat with a wide-brimmed hat. He looks confused and disgruntled. Two white men stand on either side of him. Both are wearing suits and hats. Each holds an unidentifiable object that appears to be a stick or can of some kind, though could be a weapon. The man on the right has his hand on Anthony Burns

Portrait of Anthony Burns published in 1855, a year after his trial and return to Virginia. Burns' case was the last fugitive slave case in Boston and it incited a violent reaction from the public, who attacked the courthouse in an attempt to rescue him.

Anthony Burns was the subject of the last fugitive slave case in Boston, Massachusetts. He sought freedom after escaping slavery in Virginia in 1854. Not long after, famous slave catcher Asa Butman was sent to Boston to capture Burns. Due to an unfortunate accident, Burns was left with an injury that made him easily identifiable and he was arrested that year. His kidnapping elicited a violent reaction from abolitionists, who had grown tired of Black Bostonians being captured and forced into slavery. While they failed to free him before he was sent to Virginia, their reactions showed clear displeasure for the Fugitive Slave Act of 1850. Later, they helped Burns buy his freedom, and he moved to Canada and became a Baptist preacher.

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